open sweet house

150 meters from the Sant'Eurosia Station that connects the property to Rome in 35 min with a train every 2 hours to/from. 150 meters from the property Oven / Pizzeria takeaway kitchen and Restaurant. Palabandinelli for those who have to do the races 3 km away by car. Possibility of shuttle service to reach the center of Velletri. A familiar environment, a sweet cocker spaniel and two kittens are ready to welcome you to this warm winter and cool summer accommodation. Deliveroo ok. Easy disabled access. The space Large indoor and outdoor spaces in an elegant and modern setting ideal for those looking for a private, elegant solution at the right price. Automatic gate, dedicated outdoor spaces, parking inside the property. Equipped kitchen, fridge, coffee machine, kettle, cooktop, complete dishes, including disposable ones, living room for socializing, panoramic terrace with table and barbecue, outdoor smoking area. The rooms are warm and cozy, with air conditioning and central heating. Bathroom separate from the living area with a whirlpool tub. Guest access All spaces highlighted in the photo are available for guests Other things to note In 2025, the Church will celebrate the ordinary Jubilee, the holy year that the Pope has periodically convened since 1300 and which marks an important milestone for the Catholic institution. To obtain the indulgence, the faithful go on a pilgrimage to Rome and once they arrive they must confess, take communion, pray and do a work of piety, mercy or penance. The places to practice acts of faith are the jubilee churches. In Rome, the most famous are those of St. Pietro, S. Giovanni in Laterano, S. Paul Outside the Walls and S. Maria Maggiore, but the jubilee churches of the Urbe are more. For the 2025 Jubilee, Pope Francis has identified places of worship in the city for the gathering of the faithful and catechesis in different languages. Let's discover them, one by one, as if we were on a journey, step by step towards the heart of the city. A sanctuary in the Ardeatina countryside It starts from outside Rome, to the south, along the Ardeatina road, in the hills at the edge of the Appia Antica park. The first stop on the journey to the heart of the Jubilee city is the Sanctuary of Divine Love, a place of pilgrimage since the second half of the 18th century, erected about ten kilometers from the Via Appia and 12 from the church of "Domine Quo Vadis". It is said that the founding event of the sanctuary was the protection that the Madonna gave to a pilgrim lost in the countryside, in 1740. In addition to the testimonies of faith, this place is also marked by the vow of protection that the Romans made during the Second World War and even a mention in the seventh art. The sanctuary was, in fact, featured by Fellini in the film "The Nights of Cabiria". Among its artistic heritage, we must mention the Madonna del Divino Amore, a Byzantine icon that represents the link between air and the Holy Spirit. The sanctuary was enlarged at the turn of the millennium. The renovated structure was consecrated by John Paul II in 1999. Go to the Aventine Hill, towards the church of S. Prisca With the second stage you enter Rome, in an area that is now central but quiet and not very busy. Among the greenery of public and private gardens, there are suggestive churches such as S. Sabina, S. Alessio and the Jubilee Church of S. Prisca. To reach the latter, you walk through the quiet streets of the Aventine, until you pass the square of the temple of Diana. The church of S. Prisca bears witness to ancient events. Built on the remains of the house of the martyr Prisca, who was killed around the middle of the first century at the time of Emperor Claudius, the church was rebuilt at the time of Callisto III in 1456. Under its naves are still preserved the original structures of the building of worship, such as the house of the first century or the rooms adapted to the cult of the god Mithras, depicted in the frescoes that tell of the deeds of music. The churches of S. Maria in Monserrato degli Spagnoli and S. Paolo alla Regola We are now in the "Renaissance district", among the streets of Banco di S. Spirito and Banchi Nuovi, Piazza Navona, Piazza Farnese and Campo de' Fiori. From Celio, we descend towards the Aventine Lungotevere. Among the rich residences and popular dwellings, there are some churches. The two jubilee churches chosen by the Pontiff are S. Paolo alla Regola and S. Maria in Monserrato degli Spagnoli. It seems that the church of S. Paul alla Regola was built around the first Roman house of the saint, who after a life of evangelization was killed by Nero, around 64 AD. The building of the place of worship, however, officially dates back to 1186. The church was completely rebuilt at the end of the 17th century. There are many works inside, from the Stories of the life of St. Paul by Luigi Garzi to those of Calandrucci. The second Jubilee church, that of S. Maria in Monserrato degli Spagnoli, is definitely of more recent construction. Begun on a design by Antonio da Sangallo the Younger in 1518, it was completed between 1673 and 1675 as the church of the Aragonese and Catalans. It is now the national church of the Spaniards. There are many works that it preserves and to admire a funeral monument sculpted by Bernini you must enter the Spanish College, annexed to the church. In Umbertine Rome, at the "New Church" of Santa Maria in Vallicella In this part of the city, you walk on the axis of Umbertine Rome, with its neo-Baroque expressions that mark nineteenth-century bourgeois Rome and the residences of the ancient papal nobility. In this context, there is one of the churches where pilgrims will gather for catechesis, which will be officiated in many languages from around the world. The church of S. Maria in Vallicella is linked to the figure of Filippo Neri, founder in 1551 of the "Oratory" erected in 1575 by Gregory XIII as a congregation of the Oratory. Its origins date back to the 12th century. The church's name recalls the depression that is assumed to correspond to the "Tarentum", the underground sanctuary that was the seat of the cult of the infernal deities Dite and Proserpina. The Christian temple was rebuilt starting in 1575, hence the common name of "New Church". Once inside, you can admire many works of great value that embellish the rich Baroque-style interior. In the Spada chapel, you can admire the Madonna and Child and the Saints. Carlo Borromeo and Ignazio di Loyola by Carlo Maratta. The presbytery preserves masterpieces from the Roman period by Pieter Paul Rubens (1606-1608) while an extraordinary vestment of precious marble covers the chapel of S. Filippo Neri (1600–1602). In the heart of Rome, up to the Vatican and beyond It is not difficult to notice that in this handkerchief lying on the heart of Rome, a huge number of palaces and churches are concentrated. Here the bend of the Tiber widens, coming closer to the Vatican. Among the streets of Banchi Nuovi, Governo Vecchio, S. Pantaleo and Torre Argentina and the streets of the Banchi Vecchi and Pellegrino, Campo de' Fiori and Via de' Giubbonari, which follow the traces of ancient Rome, there is the largest concentration of jubilee churches: S. Salvatore in Lauro, St. Maria dell'Orazione e Morte, Santa Caterina da Siena, S. Spirito dei Napoletani, St. Maria del Suffragio and S. Giovanni Battista dei Fiorentini Among these, S. Salvatore in Lauro stands out for being a true sanctuary in the heart of Rome. Since 1600, it has been the Sanctuary of the Madonna di Loreto in Rome and preserves one of the oldest icons of Loreto. Since 2007 it has become a place dedicated to the figure of Padre Pio da Pietrelcina and preserves important relics of the Saint. The last church is in the Colonna district, whose name derives from the column of Marcus Aurelius, between Via del Corso (urban segment of the ancient Flaminia) and the ascent to the Pincio. Here is the jubilee church of S. Andrea delle Fratte: named in the 12th century century "S. Andrea de hortis" because it was outside the city, it is an example of "Borromian" architecture. Borromini's intervention, from the second half of the seventeenth century, is noted for contrasting the orthogonal lines of the streets surrounding the church. Next to the apse, there is an amazing square bell tower. Once you enter the single nave, with a barrel vault, the advice is to go to the sides of the presbytery to admire the marble angels of Gian Lorenzo Bernini (1668-69), a vision that satisfies and is auspicious for the Jubilee. Registration Details IT058111C2C2AR8XFM